Tag Archives: jimmy page

Ten Years Gone

Twenty years and a few months ago, some friends of mine asked if I might record some guitar tracks for a young girl named Katie Reider. She had about an album’s worth of material, and with their help, they gotten it to where it was a few electric guitars away from sounding like a real record. Well, I added those very guitars, and that record ended up being called Wonder.

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In just a few actual evenings (which were spread-out over the course of several months), I managed to record eight of Wonder’s ten songs. I never expected anything to happen with it, really. I thought, maybe, in a year or so, she might have sold enough CD’s that, if all went well, I might get $100.

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The album was a local smash. We won a bunch of awards, we were on the radio, and in the papers. My guitar students thought I was famous. Overnight, I became the guitarist in one of the most popular bands in town. I had arrived. Image result for yatta

 

There were highs and lows, but in fairly short order, I was the only original band member. Katie and I had no choice. We became the best of friends, confidants, and musical partners. The next couple of years were great. In 2006 everything suddenly caught fire. I was convinced we were just a few yards from the proverbial touchdown. Then she got a toothache.

Only, it wasn’t a toothache.

It was a horrible monster, and it destroyed my friend.

 

My first gig with Katie was at Taste Of Cincinnati in 1998. My last gig with Katie was at Taste Of Cincinnati in 2007. The next year, she was gone. That was July 14, 2008; ten years ago.  This was how she looked at our last show together.Image result for katie reider wonder

When 2018 started, I was aware that the ten year echo of her passing was coming. Led Zeppelin’s “Ten Years Gone” has always been one of my favorite songs, and I thought it would be a fitting tribute. Robert Plant wrote it about an old girlfriend, so it doesn’t quite fit, but the music captures the feelings, I think, of a yearning for a time in the past with someone dear. Also, no one knows this (until now). When I was recording Wonder, I felt a tremendous pressure to accomplish something special. When in doubt, I would ask myself, “WWJPD” (What Would Jimmy Page Do)?

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“Ten Years Gone” is a fantastic anthem. One of my favorite discoveries about it, once I dissected the guitar parts, is that, apparently, I record layered guitars rather a lot like Jimmy Page did on this song.

Fitting, right?

Anyway, I know Katie would love it, because she loved the music I made. This is for Katie. But also for me.

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Tonal Identity: What’s the guitar that best transmits YOUR sound?

I grew up with an unapologetic worship of Jimmy Page and Led Zeppelin, and as such, was dead-set on becoming a Gibson Les Paul / Humbuckers / Marshall guy.

The shred-era exploded while I was high school, and “super-strats” with pointy headstocks ruled the day. I got a non-pointy, affordable model with a locking tremolo, and contented myself with whatever amp I could use at the time. Even back then, Les Pauls were hard to afford, and seeing them with tremolo just looked weird.

King’s X invaded my world in the late 80′s, and I heard Ty Tabor getting incredibly heavy, yet articulate tones out of his Strat. While I had already landed on doing volume-swells with a volume pedal, I really appreciated how he was doing them all with the Strat’s volume knob.

Somewhere around then, I also really started to crave the classic sound of a Strat. I knew nothing about them, really. I bought one in complete ignorance, brand new off the shelf, and got VERY lucky to have gotten one that sounded so good (it’s a Mexican model). To this day, it’s the guitar with which I have been seen (and photographed) the most. It took a while to adjust my playing style to single coils, but no matter what other guitar I try, that Strat is what works best for me on stage.

My studio go-to guitars are a Mexican Telecaster and an Electra Invicta from about 1980. I even have a real Gibson Les Paul that I tried to use live for years, and I finally got a Jazzmaster about 2 years ago (wanted one for years, but that’s another story). For me, on stage, it’s almost always a Strat that makes it happen.

I put together this dorky little video to illustrate a bunch of types of sounds I might pull from a Strat, using only an original POD Pro. Check it out here:
https://www.youtube.com/watch?v=h5YUrhHtlUY

What guitar works best for YOU? What fits your playing style/vibe/etc, and why? Forget hero-worship and brand identity. What do YOU get the best results from?